Yes, cosmonauts apparently all pee on the back right tire of the bus that carries them to the launch pad, before they take off.
At least the guys do; but the ladies are said to bring a vial of urine to pour on the tire.
It’s a ritual. Continue reading
The second episode in our third season of ar·ti·facts features our new prof, Dr. Ikeuchi, and a fond memento from a pilgrimage she took with her father. Be sure to watch it!
One night during my fieldwork among Brazilian migrant communities in Japan, I was invited to a dinner at Daniel’s apartment. He and his girlfriend frequented a local Brazilian evangelical church that I was studying. After the dinner, they started talking about the “strange festival” in Komaki, a city one-hour drive away from where they lived. The festival took place the previous week (on March 15 2014) and they came across its footage online. The Hōnen Festival at Tagata Shrine is best known for its 280 kg (620 pound), 2.5 meter (96 inch)-long wooden phallus, which is carried around on the streets during the celebration. The object is supposedly the embodiment of prosperity, bountiful harvest, and fertility. The youtube video above can give you some idea of what Daniel and Sachi saw.
“Nossa (Wow)! These women flock to the phallus and try real hard to touch it! They think they can get pregnant that way!” They exclaimed in a critical tone. Laughing hard at the whole comicalness of this festival, I responded, “Ah, c’mon, it’s just fun, that’s why most people try to touch it! Do you really think these Japanese women believe in it?”
“Yes!” They answered.
I’m a regular customer at Starbucks. Several times a week, I walk into one, order a drink, wait for it, say thank you, and walk out. I’m sure many of you do the same thing pretty often, if not every day, without even thinking about it.
But I once failed miserably at this banal procedure. It was my first year in the US and I had just arrived from Japan, so many things were still new to me. But Starbucks was definitely not new. I had spent so many hours there studying as an undergraduate student in Japan that it felt like my habitat, even though I was now in Boston. I walked into one store and everything looked familiar – the menu, employees’ uniform, and interior.
“What would you like, ma’am?” It was my turn to order. “Café misto, please?” I answered (or something of the sort). Then the employee – a nice young woman – said something that I had never heard before: “holetoopercetskimhaffanhafforsoy.” Continue reading
Our newest addition to the REL faculty, Prof. Suma Ikeuchi will screen her ethnographic film “In Leila’s Room” at the 2016 Society for Visual Anthropology Film and Media Festival. Here’s a brief description of the film:
A young Brazilian migrant woman, Leila, runs a small make-up salon in her apartment in Toyota City, Japan. Most of her clients are, like herself, Brazilians of Japanese descent who have return migrated to the land of their ancestors. Her small salon is also a social hub of evangelical women in the local Brazilian migrant community who come in for good make-up and conversations. In this intimate space, Leila, her fellow migrants, and the filmmaker speak about and act out their complex identities.
Shot almost entirely in one room, the film captures migrants’ sense of identity and belonging by witnessing the interactions between Leila, the filmmaker, her family and friends, and the clients. What defines being Japanese, Brazilian, or Japanese-Brazilian? How does generational identity shape transnational belonging? How can one rely on God in the face of ethnic discrimination and social alienation? The scenes and dialogues speak to these issues that migrants constantly grapple with.
The film will be screened at the festival in Minneapolis, MN this November. Congratulations, Prof. Ikeuchi!
We’re extremely pleased to announce that, as of August 2016, we will have another new colleague in REL.
Suma Ikeuchi is currently a doctoral candidate at Emory University, where she will receive her Ph.D. in Cultural Anthropology in May 2016. She also has an M.A. in Anthropology from Brandeis University and a B.A. in both History and Anthropology from Hokkaido University, Japan. Continue reading