On Not Knowing Where to Look

galleryThose who sustain this idealized image of culture do so … by mistaking the dominant fraction … of a given group for the group or “culture” itself.  At the same time, they mistake the ideological positions favored and propagated by the dominant fraction for those of the group as a whole…. Scholarly misrecognitions of this sort replicate the misrecognitions and misrepresentations of those the scholars privilege as their informants. (Bruce Lincoln, “Theses on Method,” Method & Theory in the Study of Religion 8/3 [1996]: 226)

Living out one such misrecognition, my Durban roommate [when we attended the 2000 meeting of the International Association for the History of Religions world congress], Willi Braun, and I took a cab one day from the Congress hotel to the tourist bureau in downtown Durban to see a much discussed African art exhibition — art, like religion, thought by many to symbolize the authentic, aesthetic sense (an analogy used by Rudolf Otto in the opening pages of The Idea of the Holy) and struggle of a people.  But, unbeknownst to us, it happened to be National Women’s Day in South Africa and the bureau was closed when we got there.  Much like Gertrude Stein’s comment (often paraphrased by the late-Ninian Smart, or so I’m told), when we got there, there was no “there” there — a fitting example of what Žižek calls the illusion of traditional realism: Continue reading

How Art Thou?

beacham

By Chris Beacham
Chris Beacham is a junior undergraduate majoring in Psychology and minoring in Religious Studies. He is from New Orleans, and enjoys filmmaking and reading eastern philosophy.

Next to the word love, the word art is probably the most vague and general term in the English language. Merriam Webster dictionary defines art as “something that is created with imagination and skill that is beautiful or that expresses important ideas or feelings.” It seems to me that in a sense everything could be considered art. The computer in which I am typing this blog is art, the glasses I am wearing are art, a house is art, etc. Since they were designed and created by people, they can be considered not just primarily functional, but also artistic. It can evoke a response beyond the mechanical use, even on the subtlest levels. Despite this, the word art is used discriminately even when it is such a blanket term. Continue reading

“And That’s Why No One Takes The Humanities Seriously”

In the second of its four issues in 2011, the widest circulating journal in the academic study of religion–the Journal of the American Academy of Religion (JAAR)–began opening each issue with a poem.

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