Sarah Griswold is a junior double majoring in Mathematics and Religious Studies. She spends her “free time” analyzing her favorite shows on Netflix, which of course winds up ruining them. She is currently enrolled in an independent study with Dr. Simmons where she is analyzing the popular HBO series “True Detective.”
“Transference of fear and self-loathing is an authoritarian vessel. It’s catharsis. He absorbs their dread with his narrative. Because of this, he’s effective at proportion to the amount of certainty he can project.” – Rust Cohle
HBO’s True Detective approaches existential questions of reality through lenses of structures of the human experience. So far in this blog series, perception and classification have been the main focus. Power, however, is a related concept, yet is also a performance of its own accord. Power can be situational or institutional, but it is always relational. In other words, power is exerted in a relationship. Power, certainly, is not static. Particularly in situational power relationships, power is continually bounced back and forth. This is a good thing, but it is something not really shown in True Detective. Take, for instance this encounter between Marty and a secretary in the Louisiana State Police Department.